Abstract
This paper explores the representation of trauma and stigma tied to HIV/AIDS in The Blackwater Lightship (1999) by Colm Tóibín and Angels in America (1995) by Tony Kushner. Both works arguably respond to the socio-political and biomedical crisis that affected queer identities and international politics. These experiences of health and illness highlight the silenced and marginalized voices of those infected with HIV during the 80s and 90s. HIV/AIDS-related stigma and shame marked the LGBTQ+ community under the illness as punishment metaphor for their sexuality. The role of politics and religion remains fundamental in the historical silence around this illness and the intergenerational trauma that still persists nowadays.
| Original language | English |
|---|---|
| Pages (from-to) | 81-94 |
| Journal | Journal of Franco Irish Studies |
| DOIs | |
| Publication status | Published - 2023 |
| Externally published | Yes |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 3 Good Health and Well-being
Keywords
- Angels in America
- The Blackwater Lightship
- Stigma
- Trauma
- HIV/AIDS
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