Abstract
This article is concerned with what a technological gaze might mean; what regimes of truth and what new modes of subjectivity are filtered through it. By drawing on television and print advertising, we can see the pervasiveness of a gaze that is technological in contemporary Western consumer culture. This article argues that, far from being a simple “ high-tech” effect, a technological gaze is a way of seeing that may be deconstructed. To this end, it will call on visual culture studies, feminism, film theory and Derridean deconstruction to highlight how high-tech images are cultural artefacts, which underscore contemporary imaginings about bodies and environments. The technological gaze uses specific methods to put its meaning together- impossible subject-positioning, the codification of flesh, a visualisation of scientific narratives and the aestheticisation of information- all of which tell us about a longer line of cultural fantasies about information, code and technology.
| Original language | English |
|---|---|
| Pages (from-to) | 3-18 |
| Journal | Irish Marketing Review |
| Volume | 19 |
| Issue number | 1&2 |
| DOIs | |
| Publication status | Published - 1 Jan 2007 |
| Externally published | Yes |
Keywords
- technological gaze
- regimes of truth
- modes of subjectivity
- television advertising
- print advertising
- Western consumer culture
- visual culture studies
- feminism
- film theory
- Derridean deconstruction
- high-tech images
- cultural artefacts
- bodies
- environments
- subject-positioning
- codification of flesh
- visualisation of scientific narratives
- aestheticisation of information
- cultural fantasies
- information
- code
- technology