The Technological Gaze in Advertising

Norah Campbell

Research output: Contribution to journalArticlepeer-review

Abstract

This article is concerned with what a technological gaze might mean; what regimes of truth and what new modes of subjectivity are filtered through it. By drawing on television and print advertising, we can see the pervasiveness of a gaze that is technological in contemporary Western consumer culture. This article argues that, far from being a simple “ high-tech” effect, a technological gaze is a way of seeing that may be deconstructed. To this end, it will call on visual culture studies, feminism, film theory and Derridean deconstruction to highlight how high-tech images are cultural artefacts, which underscore contemporary imaginings about bodies and environments. The technological gaze uses specific methods to put its meaning together- impossible subject-positioning, the codification of flesh, a visualisation of scientific narratives and the aestheticisation of information- all of which tell us about a longer line of cultural fantasies about information, code and technology.
Original languageEnglish
Pages (from-to)3-18
JournalIrish Marketing Review
Volume19
Issue number1&2
DOIs
Publication statusPublished - 1 Jan 2007
Externally publishedYes

Keywords

  • technological gaze
  • regimes of truth
  • modes of subjectivity
  • television advertising
  • print advertising
  • Western consumer culture
  • visual culture studies
  • feminism
  • film theory
  • Derridean deconstruction
  • high-tech images
  • cultural artefacts
  • bodies
  • environments
  • subject-positioning
  • codification of flesh
  • visualisation of scientific narratives
  • aestheticisation of information
  • cultural fantasies
  • information
  • code
  • technology

Fingerprint

Dive into the research topics of 'The Technological Gaze in Advertising'. Together they form a unique fingerprint.

Cite this