On constructing a sonic gangbang: system and subversion in Gerald Barry’s Chevaux-de-frise

Mark Fitzgerald

doi:10.21427/dqtz-kz47

On constructing a sonic gangbang: system and subversion in Gerald Barry’s Chevaux-de-frise

Mark Fitzgerald

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Abstract

This paper examines Chevaux-de-frise by Gerald Barry. The work is from a transitional period in Barry's work forming a bridge between the work of the 1980s (most notably The Intelligence Park) and the more polyphonic work of the 1990s. The paper describes Barry's use of canonic devices and his manipulation of found material before making some brief links to later works from Barry's output.

Original language	English
Pages (from-to)	298-314
Journal	Irish Musical Studies
Volume	11
DOIs	https://doi.org/10.21427/dqtz-kz47
Publication status	Published - 1 Jan 2014

Keywords

Chevaux-de-frise
Gerald Barry
transitional period
1980s
The Intelligence Park
1990s
polyphonic work
canonic devices
found material
later works

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10.21427/dqtz-kz47Licence: CC BY

Cite this

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KW - Gerald Barry

KW - transitional period

KW - 1980s

KW - The Intelligence Park

KW - 1990s

KW - polyphonic work

KW - canonic devices

KW - found material

KW - later works

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JF - Irish Musical Studies

ER -

On constructing a sonic gangbang: system and subversion in Gerald Barry’s Chevaux-de-frise

Abstract

Keywords

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