Abstract
This paper re-examines the iconic use of cruciform columns in the famous Barcelona Pavilion and the other ‘German’ projects of the architect Mies Van der Rohe. It extrapolates for the material itself to construct a theory about the meaning behind their design and iconography linking it to Shinkel and a coded national identify.
| Original language | English |
|---|---|
| Pages (from-to) | 151-169 |
| Journal | Building Material: the Architectural Association of Ireland journal |
| Issue number | 20 |
| DOIs | |
| Publication status | Published - 1 Jan 2016 |
Keywords
- cruciform columns
- Barcelona Pavilion
- Mies Van der Rohe
- German projects
- material theory
- design
- iconography
- Shinkel
- national identity