Abstract
This writing aims to define and examine ‘femagogy’ and the transformative potential for an inclusive intersectional feminist teaching practice in Fine Art education in the context of the contemporary Irish art school. This writing will trace the influence of linguistic power structures and the influence of broader institutional patriarchy in an educational setting and outline the inspirations and genealogies of femagogy. This writing provides situated embodied examples of femagogy in practice. It proposes the femagogical model of teaching as one that situates itself outside prevailing patriarchal models and proposes strategies to reimagine knowledge production and navigate the prevailing structural patriarchy in the academic systems of the contemporary art school.
| Original language | English |
|---|---|
| Pages (from-to) | 86-101 |
| Number of pages | 16 |
| Journal | Journal of Visual Art Practice |
| Volume | 19 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2 Jan 2020 |
| Externally published | Yes |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
Keywords
- Femagogy
- art education
- contemporary art
- decolonising
- embodied knowledge
- feminism
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