Abstract
This chapter reflects on the Dublin indie and dance music scenes from 2000 to 2017 and examines the everyday reality of being a musician or DJ and the pathways to becoming a regular performer in Dublin over that same period. In the climate of declining gig attendance, closing venues and music piracy, I trace the digitally shaped economic reality for musicians in Dublin over the period 2000-2017. I extrapolate how musicians have made money to pay for the expense of sustaining a career as a musician, such as equipment and production costs, and I investigate how they earned money to live. This chapter identifies that there are many facets involved in being a contemporary performer in the digital/social media era. It presents evidence of the challenges and opportunities that musicians in Dublin face and, as such, provides a unique insight into changing musical practices that, although based on the experiences of those within a specific locality, will resonate with experiences globally. In examining the influence of local music-making in inspiring young would-be musicians, I question, as we spend more and more of our time online, if we have witnessed the death of a local music scene.
| Original language | English |
|---|---|
| Title of host publication | Made in Ireland |
| Subtitle of host publication | Studies in Popular Music |
| Publisher | Taylor and Francis |
| Pages | 195-206 |
| Number of pages | 12 |
| ISBN (Electronic) | 9780429811869 |
| ISBN (Print) | 9781138336025 |
| DOIs | |
| Publication status | Published - 1 Jan 2020 |