Death of a local scene? Music in Dublin in the digital age

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

This chapter reflects on the Dublin indie and dance music scenes from 2000 to 2017 and examines the everyday reality of being a musician or DJ and the pathways to becoming a regular performer in Dublin over that same period. In the climate of declining gig attendance, closing venues and music piracy, I trace the digitally shaped economic reality for musicians in Dublin over the period 2000-2017. I extrapolate how musicians have made money to pay for the expense of sustaining a career as a musician, such as equipment and production costs, and I investigate how they earned money to live. This chapter identifies that there are many facets involved in being a contemporary performer in the digital/social media era. It presents evidence of the challenges and opportunities that musicians in Dublin face and, as such, provides a unique insight into changing musical practices that, although based on the experiences of those within a specific locality, will resonate with experiences globally. In examining the influence of local music-making in inspiring young would-be musicians, I question, as we spend more and more of our time online, if we have witnessed the death of a local music scene.

Original languageEnglish
Title of host publicationMade in Ireland
Subtitle of host publicationStudies in Popular Music
PublisherTaylor and Francis
Pages195-206
Number of pages12
ISBN (Electronic)9780429811869
ISBN (Print)9781138336025
DOIs
Publication statusPublished - 1 Jan 2020

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