TY - GEN
T1 - Audio representations for deep learning in sound synthesis
T2 - 18th IEEE/ACS International Conference on Computer Systems and Applications, AICCSA 2021
AU - Natsiou, Anastasia
AU - O'Leary, Seán
N1 - Publisher Copyright:
© 2021 IEEE.
PY - 2021
Y1 - 2021
N2 - The rise of deep learning algorithms has led many researchers to withdraw from using classic signal processing methods for sound generation. Deep learning models have achieved expressive voice synthesis, realistic sound textures, and musical notes from virtual instruments. However, the most suitable deep learning architecture is still under investigation. The choice of architecture is tightly coupled to the audio representations. A sound's original waveform can be too dense and rich for deep learning models to deal with efficiently -and complexity increases training time and computational cost. Also, it does not represent sound in the manner in which it is perceived. Therefore, in many cases, the raw audio has been transformed into a compressed and more meaningful form using upsampling, feature-extraction, or even by adopting a higher level illustration of the waveform. Furthermore, conditional on the form chosen, additional conditioning representations, different model architectures, and numerous metrics for evaluating the reconstructed sound have been investigated. This paper provides an overview of audio representations applied to sound synthesis using deep learning. Additionally, it presents the most significant methods for developing and evaluating a sound synthesis architecture using deep learning models, always depending on the audio representation.
AB - The rise of deep learning algorithms has led many researchers to withdraw from using classic signal processing methods for sound generation. Deep learning models have achieved expressive voice synthesis, realistic sound textures, and musical notes from virtual instruments. However, the most suitable deep learning architecture is still under investigation. The choice of architecture is tightly coupled to the audio representations. A sound's original waveform can be too dense and rich for deep learning models to deal with efficiently -and complexity increases training time and computational cost. Also, it does not represent sound in the manner in which it is perceived. Therefore, in many cases, the raw audio has been transformed into a compressed and more meaningful form using upsampling, feature-extraction, or even by adopting a higher level illustration of the waveform. Furthermore, conditional on the form chosen, additional conditioning representations, different model architectures, and numerous metrics for evaluating the reconstructed sound have been investigated. This paper provides an overview of audio representations applied to sound synthesis using deep learning. Additionally, it presents the most significant methods for developing and evaluating a sound synthesis architecture using deep learning models, always depending on the audio representation.
KW - Deep learning
KW - Generative models
KW - Sound representations
KW - Sound synthesis
UR - https://www.scopus.com/pages/publications/85125661268
U2 - 10.1109/AICCSA53542.2021.9686838
DO - 10.1109/AICCSA53542.2021.9686838
M3 - Conference contribution
AN - SCOPUS:85125661268
T3 - Proceedings of IEEE/ACS International Conference on Computer Systems and Applications, AICCSA
BT - 2021 IEEE/ACS 18th International Conference on Computer Systems and Applications, AICCSA 2021 - Proceedings
PB - IEEE Computer Society
Y2 - 30 November 2021 through 3 December 2021
ER -