Abstract
24h Social is a generative a data-driven generative video installation that explores the social media phenomenon of Vine video as performances in data. The project is created from a database of appropriated Vine content, extracted from millions of tweets, with each video shown at the time of its original creation. The project simultaneously celebrates Vine as a platform that facilitates succinct creative performative expressions whilst acknowledging that these activities are embedded within a problematic data assemblage that accrues substantial quantities of data on its users. Drawing on notions of social media performance it is suggested that a pathway to understanding the complex interplay of platform affordances and user performance in Vine is through a treatment of Vines as performances in data. The Vine database is identified as a resource for revealing new insights into everyday life at multiple levels and not solely a corporate or governmental intelligence asset used to serve targeted advertising or profile populations. This paper proposes that activist art practice has a part to play in making visible the structures and practices of data capture thus opening them to scrutiny using 24h Social as a case study.
Original language | English |
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DOIs | |
Publication status | Published - 2014 |
Event | Digital Research in the Humanities and Arts - London, United Kingdom Duration: 1 Jan 2014 → … |
Conference
Conference | Digital Research in the Humanities and Arts |
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Country/Territory | United Kingdom |
City | London |
Period | 1/01/14 → … |
Keywords
- Vine
- social media performance
- data-driven
- video installation
- platform affordances
- user performance
- data capture
- activist art practice